THIS is incredibly frustrating. I have not been able to get online for more than a day now, and I am so itching to write, so at the moment I am writing in my Text Edit mode and I'll save the doc and copy and paste it later. This is my final post on www.charmcitythemovie.blogspot.com - go right now to www.smalltimorethemovie.blogspot.com to read about how the screening of the rough cut went, and to continue to keep up to date with the progress of the project. It has been an incredible year, writing this blog... time to move to the next level. Thanks for reading, and please continue to do so on the new blog!!!!
~ Jeanie
Showing posts with label screening. Show all posts
Showing posts with label screening. Show all posts
Tuesday, December 30, 2008
Tuesday, December 23, 2008
A Bassist by Any Other Name...
Sleep is still screwed up. My mind won't shut off, though I have far less to do on a daily basis at the moment. I have not watched (and therefore have not edited) any part of the movie (other than the trailer a couple times) since I watched it straight through last Thursday. It is hard for me to stay away from it, even though I was looking forward to a break from it. There are things I know are wrong with it that I want to work on. But that won't change what I will be showing at the screening on Saturday anyway, so I am not watching any part of it for nine whole days so that I can see it with somewhat-fresh eyes, to see what else I need to fix, or maybe even what moments are just fine and I am being too critical of them.
I kind of miss seeing my cast every day, too, and I am looking forward to seeing almost all of them on Saturday. Every time I watch a scene, I think about the goofy things that happened while we were filming it. Unfortunately, since we were filming on the P2 cards, we didn't have the luxury of just letting the camera roll all the time and capturing a lot of those funny offscreen moments, because we had to conserve space on the cards. There were some days we filled them completely. But I remember the little screw-ups that were amusing, and for the most part have forgotten the ones that were annoying. Like having kids, you forgot the bad stuff quickly enough that it makes you want to make more...
Probably my favorite blunder was made by my brother. He came up from Florida in order to see me on the set for a day before going to Ocean City with some of my other relatives on vacation. I felt bad because I had ZERO time to hang out with him really, but it meant a lot to me that he was there and got to see behind the scenes for a day. It was one of the days we were filming at the Wind-Up Space, and I threw him into the scene as a bartender. You'll see him in the first scene that takes place there. Though he threw in a couple other lines that one would just naturally say to customers ("What can I get ya?", etc) I only gave him one SPECIFIC line. He had to hand a beer to one of the main cast, whose character name is Thom who is playing in a band in the bar. All Ted (my bro) had to do was hand Thom a beer as Thom walks offstage, and say, "ThomBomb!" This is Thom's nickname, and this action established that Thom is a regular, everybody knows and loves him.
As with any and every scene, we had to do it a bunch of times, due to noise issues, getting it from different angles, and getting a couple safeties once we got it right. Ted did good the first 5 or 6 times. How could he not, it is one word, right?
Somewhere around the 7th take I think, the five other people in the scene hit their marks and delivered their lines perfectly, and my brother approaches Thom with the beer, reaches in his direction, and clearly says, "ThomJOHN!"
No one flinched (and BELIEVE me, it was all I could do not to burst out laughing, but this was one of the days we were running short on card space), Ted walks off camera and looks at me like, "WTF?" Just the look on his own face, wondering how the hell he could have possibly screwed up ONE word, is an hysterical moment I will never forget. And, of course, will never let HIM forget.
I kind of miss seeing my cast every day, too, and I am looking forward to seeing almost all of them on Saturday. Every time I watch a scene, I think about the goofy things that happened while we were filming it. Unfortunately, since we were filming on the P2 cards, we didn't have the luxury of just letting the camera roll all the time and capturing a lot of those funny offscreen moments, because we had to conserve space on the cards. There were some days we filled them completely. But I remember the little screw-ups that were amusing, and for the most part have forgotten the ones that were annoying. Like having kids, you forgot the bad stuff quickly enough that it makes you want to make more...
Probably my favorite blunder was made by my brother. He came up from Florida in order to see me on the set for a day before going to Ocean City with some of my other relatives on vacation. I felt bad because I had ZERO time to hang out with him really, but it meant a lot to me that he was there and got to see behind the scenes for a day. It was one of the days we were filming at the Wind-Up Space, and I threw him into the scene as a bartender. You'll see him in the first scene that takes place there. Though he threw in a couple other lines that one would just naturally say to customers ("What can I get ya?", etc) I only gave him one SPECIFIC line. He had to hand a beer to one of the main cast, whose character name is Thom who is playing in a band in the bar. All Ted (my bro) had to do was hand Thom a beer as Thom walks offstage, and say, "ThomBomb!" This is Thom's nickname, and this action established that Thom is a regular, everybody knows and loves him.
As with any and every scene, we had to do it a bunch of times, due to noise issues, getting it from different angles, and getting a couple safeties once we got it right. Ted did good the first 5 or 6 times. How could he not, it is one word, right?
Somewhere around the 7th take I think, the five other people in the scene hit their marks and delivered their lines perfectly, and my brother approaches Thom with the beer, reaches in his direction, and clearly says, "ThomJOHN!"
No one flinched (and BELIEVE me, it was all I could do not to burst out laughing, but this was one of the days we were running short on card space), Ted walks off camera and looks at me like, "WTF?" Just the look on his own face, wondering how the hell he could have possibly screwed up ONE word, is an hysterical moment I will never forget. And, of course, will never let HIM forget.
Saturday, December 20, 2008
And Miles to Go...
Sleep is not coming any easier to me, but I think it is just because my pattern is totally screwed up from going to bed in the wee hours of the morning for almost a week. Then I wake up when I have to, do things I have to do, then somewhere in the afternoon I can't keep my eyes open, fall out for an hour or two... I wake up refreshed, yes, but then I can't go to sleep until 4 or 5am again! This is getting me a little nuts.
It is nerves, too. I picked up the burned DVD from Charlie (God bless 'im) this afternoon and watched it straight through to make sure there are no surprises. There was only one word of dialogue that wasn't on there, and I am sure it is something that I accidentally deleted or pasted over while I was editing and is not a big deal at all.
I don't really know how to describe how I am feeling now. I feel like I should be saying things like, "relieved, happy, satisfied," etc. And I am certain I am all of those things, but I don't really feel them. I think I am just spent, an empty vessel, and I have to relax and wait for my reserves to fill back up.
Watching the movie on a 42" screen was way different than watching it on my laptop. I was afraid it was going to look worse, but it was actually more forgiving.
I write this blog because I want to be able to read back on my own experience later (because it is way too much to remember now), and I also want to give people who are interested in maybe doing the same thing, or just interested in hearing about the process, an inside look at how it all really happens. Sometimes I have committed the sin of omission about some of the bad things in order to keep the peace with people, or not be overly discouraging, or just because during the process I didn't want certain people (like my investors) to worry that I had absolutely no idea what I was doing.
I'm having one of those moments where I am considering censoring myself, but I think I'll go ahead and speak honestly, because several people I consult with regularly promise me that what I am feeling is normal and natural (and because the movie is really, truly in the can now, and it all worked out just fine).
The truth is, when you have spent literally several hundred hours poring over about 50 hours of footage - think about that, approximately three THOUSAND minutes of footage - and have to narrow it down to (currently) one hundred and three minutes... pardon my french, but you get pretty freakin' sick of looking at it. Think of your favorite joke, or song, or, hmm, scene in a movie, and then repeat it, listen to it, rewind and watch it at least 50, if not 100, times. Is it still funny, poignant, touching, or whatever you used to think it was? I think the word I am looking for is, "desensitized".
So I was pleasantly surprised when I watched the movie straight through today, and in the immortal words of my dear friend Tom Kyte, thought to myself, "This does not suck." Still needs a lot of massaging, but I am confident I am not going to embarrass myself, anyway. But I am still pretty sick of looking at it. And now I don't have to for EIGHT WHOLE DAYS! I am very excited about that.
I think why I am not dancing with joy, though, is because I am ever the hostess, and I will not be able to relax until next Saturday when I see with my own eyes that everyone who says they are coming to the screening actually arrives, and then see that they are having a good time and enjoy the movie, and then come to the reception afterwards. It is just the way I am. I know that all of those things will happen, but I won't relax until I see it with my own eyes.
It will. And when it does, I am going to DRINK my FACE off.
It is nerves, too. I picked up the burned DVD from Charlie (God bless 'im) this afternoon and watched it straight through to make sure there are no surprises. There was only one word of dialogue that wasn't on there, and I am sure it is something that I accidentally deleted or pasted over while I was editing and is not a big deal at all.
I don't really know how to describe how I am feeling now. I feel like I should be saying things like, "relieved, happy, satisfied," etc. And I am certain I am all of those things, but I don't really feel them. I think I am just spent, an empty vessel, and I have to relax and wait for my reserves to fill back up.
Watching the movie on a 42" screen was way different than watching it on my laptop. I was afraid it was going to look worse, but it was actually more forgiving.
I write this blog because I want to be able to read back on my own experience later (because it is way too much to remember now), and I also want to give people who are interested in maybe doing the same thing, or just interested in hearing about the process, an inside look at how it all really happens. Sometimes I have committed the sin of omission about some of the bad things in order to keep the peace with people, or not be overly discouraging, or just because during the process I didn't want certain people (like my investors) to worry that I had absolutely no idea what I was doing.
I'm having one of those moments where I am considering censoring myself, but I think I'll go ahead and speak honestly, because several people I consult with regularly promise me that what I am feeling is normal and natural (and because the movie is really, truly in the can now, and it all worked out just fine).
The truth is, when you have spent literally several hundred hours poring over about 50 hours of footage - think about that, approximately three THOUSAND minutes of footage - and have to narrow it down to (currently) one hundred and three minutes... pardon my french, but you get pretty freakin' sick of looking at it. Think of your favorite joke, or song, or, hmm, scene in a movie, and then repeat it, listen to it, rewind and watch it at least 50, if not 100, times. Is it still funny, poignant, touching, or whatever you used to think it was? I think the word I am looking for is, "desensitized".
So I was pleasantly surprised when I watched the movie straight through today, and in the immortal words of my dear friend Tom Kyte, thought to myself, "This does not suck." Still needs a lot of massaging, but I am confident I am not going to embarrass myself, anyway. But I am still pretty sick of looking at it. And now I don't have to for EIGHT WHOLE DAYS! I am very excited about that.
I think why I am not dancing with joy, though, is because I am ever the hostess, and I will not be able to relax until next Saturday when I see with my own eyes that everyone who says they are coming to the screening actually arrives, and then see that they are having a good time and enjoy the movie, and then come to the reception afterwards. It is just the way I am. I know that all of those things will happen, but I won't relax until I see it with my own eyes.
It will. And when it does, I am going to DRINK my FACE off.
Tuesday, December 9, 2008
T-Minus 18 Days, and Counting
Has it really been two weeks since I've posted? It's been a blur. But I am finally getting a chance to breathe a bit, which I should really stop doing if I want to get this rough cut done by December 27th! It will get done. Just had to get through Thanksgiving week, then some work stuff at my job-job, and today - I was the guest speaker at a class on "Baltimore in Film" at UMBC.
I had never done anything like that before, and it turned out to be really fun. I think that "Acting for the Camera" class I took with Steve Yeager at the Creative Alliance last month really helped my nerves, this wasn't nearly as scary! The Professor, Kimberly Moffitt, was very nice and the students (about 40) seemed interested and asked a lot of questions and I didn't notice anyone sleeping. The angle I was addressing was, "Why Baltimore?", which I discuss in almost every posting in one way or another, so I won't bore you with a recap. Then we watched the trailer I made (with loads of help from Sean Stanley & crew) one year ago - and then we watched ( don't be mad, Cast!) a rough version of the NEW trailer, which I worked on (with some help from Kyle Holtgren, my actor who plays David) for six hours last night. There are a few things I still need to smooth out, but I hope to have up on YouTube by week's end. Both trailers seemed to go over well, and it was fun for me to see them back-to-back and see an objective audience's reaction to them. One of the things I am very excited about in the new trailer is that I used my FAVORITE song by my friends T.T. Tucker & the Bum Rush Band, "America is One Tough Town." It is PERFECT. Tucker & the boys worked really hard to get this song recorded for me in time to use it for the rough cut and I am very grateful to them for that. THANK YOU Tucker, Jamie, Wayne, Craig, Stevie & Lump! You guys literally ROCK.
As I've said, I've been really happy with the editing so far, but I haven't laid music in to any of the other stuff because everything is not perfectly set yet. But doing this trailer last night rejuvenated my spirit to get back to working hard on the edit, because now I can't wait to lay the rest of the music in! It makes a good piece SO much better, and it also helps to cover little mistakes and sound issues along the way.
I was glad to be able to speak at this class for a lot of reasons. For the sheer experience of it, and to meet the students, for starters. Preparing for the class and what questions they might have gave me the opportunity to take a moment and review the last year of my life and see how I got from Point A (embodied by the first trailer) to Point B (embodied by the second). I gave credit to as many people as I could as I spoke to them, because I sure as hell didn't do this all by myself - to my sounding boards and compatriots that kept me sane: Sean, Michelle, and Eric; to my amazing cast (Cheryl & Orlando, I bragged about you two toughing out the convertible scene in mid-November!); to my film & production crew, including my Army of Interns; to the Creative Alliance, which is an incredible resource I can't say enough good things about; to my incredibly generous investors, Tom, Mikey, and Dan (I told the students, "Make friends with smart people NOW - they will be the ones with money 20 years from now!"); to my friends who loaned me their homes, businesses, and sometimes even their acting talent to enrich the film; to the many artists and musicians who loaned me their work and further upped my production values; and to Baltimore Office of Promotion & the Arts for making jumping through a few hoops relatively inexpensive and painless.
Professor Moffitt (Kimberly) treated me to lunch afterwards, and one of her enthusiastic students, Winona, joined us. There I found out that Kimberly only moved here about three years ago and is not Baltimore's biggest fan yet. So now, as if I need more on my plate, it is my mission to convert her! So I invited her to the screening. I realize that having her meet a great many of my crazy friends and colleagues en masse is a plan that may send her packing her bags for NormalTown, but it is a chance I am willing to take. These are the people I know and love, the people that put the "Charm," in "Charm City," and life in this City with them is a lot of things, but it is never boring. Can't wait!
I had never done anything like that before, and it turned out to be really fun. I think that "Acting for the Camera" class I took with Steve Yeager at the Creative Alliance last month really helped my nerves, this wasn't nearly as scary! The Professor, Kimberly Moffitt, was very nice and the students (about 40) seemed interested and asked a lot of questions and I didn't notice anyone sleeping. The angle I was addressing was, "Why Baltimore?", which I discuss in almost every posting in one way or another, so I won't bore you with a recap. Then we watched the trailer I made (with loads of help from Sean Stanley & crew) one year ago - and then we watched ( don't be mad, Cast!) a rough version of the NEW trailer, which I worked on (with some help from Kyle Holtgren, my actor who plays David) for six hours last night. There are a few things I still need to smooth out, but I hope to have up on YouTube by week's end. Both trailers seemed to go over well, and it was fun for me to see them back-to-back and see an objective audience's reaction to them. One of the things I am very excited about in the new trailer is that I used my FAVORITE song by my friends T.T. Tucker & the Bum Rush Band, "America is One Tough Town." It is PERFECT. Tucker & the boys worked really hard to get this song recorded for me in time to use it for the rough cut and I am very grateful to them for that. THANK YOU Tucker, Jamie, Wayne, Craig, Stevie & Lump! You guys literally ROCK.
As I've said, I've been really happy with the editing so far, but I haven't laid music in to any of the other stuff because everything is not perfectly set yet. But doing this trailer last night rejuvenated my spirit to get back to working hard on the edit, because now I can't wait to lay the rest of the music in! It makes a good piece SO much better, and it also helps to cover little mistakes and sound issues along the way.
I was glad to be able to speak at this class for a lot of reasons. For the sheer experience of it, and to meet the students, for starters. Preparing for the class and what questions they might have gave me the opportunity to take a moment and review the last year of my life and see how I got from Point A (embodied by the first trailer) to Point B (embodied by the second). I gave credit to as many people as I could as I spoke to them, because I sure as hell didn't do this all by myself - to my sounding boards and compatriots that kept me sane: Sean, Michelle, and Eric; to my amazing cast (Cheryl & Orlando, I bragged about you two toughing out the convertible scene in mid-November!); to my film & production crew, including my Army of Interns; to the Creative Alliance, which is an incredible resource I can't say enough good things about; to my incredibly generous investors, Tom, Mikey, and Dan (I told the students, "Make friends with smart people NOW - they will be the ones with money 20 years from now!"); to my friends who loaned me their homes, businesses, and sometimes even their acting talent to enrich the film; to the many artists and musicians who loaned me their work and further upped my production values; and to Baltimore Office of Promotion & the Arts for making jumping through a few hoops relatively inexpensive and painless.
Professor Moffitt (Kimberly) treated me to lunch afterwards, and one of her enthusiastic students, Winona, joined us. There I found out that Kimberly only moved here about three years ago and is not Baltimore's biggest fan yet. So now, as if I need more on my plate, it is my mission to convert her! So I invited her to the screening. I realize that having her meet a great many of my crazy friends and colleagues en masse is a plan that may send her packing her bags for NormalTown, but it is a chance I am willing to take. These are the people I know and love, the people that put the "Charm," in "Charm City," and life in this City with them is a lot of things, but it is never boring. Can't wait!
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