...and the necessities will take care of themselves." This is probably my favorite quote of Dorothy Parker. Not only because it sort of gives me license to do whatever I want, but also because it is largely true.
Making a movie, despite it often being rather grueling work, is a luxury when it comes down to it. So many people out there want to do exactly that. Not that many get to.
With the emotional, financial, and physical assistance of a LOT of people, I got to do that. I put together the luxury, the screenplay, and one by one the necessities took (and are taking) care of themselves. Every time it seemed that I had reached the end of my resources, something or someone new popped up to help me solve the problem. Someone letting me use a location, someone sending me a check, someone tutoring me on an aspect of filmmaking I knew nothing about, whatever. And now that I am about to embark on the fine-tuning of the movie, this remains true.
As I have said here many times, "Smalltimore," is my love letter to Baltimore, and especially to the creative community that thrives here. I crammed over a dozen Baltimore artists' works into the film itself - paintings, sculptures, photos, even three different jewelry makers. And now it is time to really work on the soundtrack, which will be all original music by Baltimore musicians.
There were some people I had in mind from the very beginning who are already on board, such as T.T.Tucker & the Bum Rush Band, and Jennifer Swartout. There are a couple other local favorites whose music I used for the rough cut, but I haven't approached them yet about the real deal. I'll start that in January. When I secured Joyce J. Scott in the role of Mrs. Talford, I learned then that she had a CD of her own, and some of that music works PERFECTLY, so I am super-excited about that. You can see some of Joyce's paintings in the movie also, so she is truly the triple-threat of "Smalltimore."
There is another Baltimore singer/songwriter who I had in mind from the beginning, to be involved on the soundtrack. Her name is Niki Lee (www.nikilee.com). I had read about her in the City Paper a few years ago. She has a very interesting story, about how she secured the musical rights to Dorothy Parker's poetry from the NAACP for, I think, $600. An exemplary case of, "ya never know until you ask."
I got to see Niki perform those songs a couple summers ago at a show she had at the Creative Alliance. I didn't get to meet her at the time, but I did buy her CD, "Here Lies Dorothy Parker".
A couple weeks ago I started digging around online and found her website. I gathered from her blog that she had moved to California, and I thought, hmm, maybe she's blown up and she won't want to be involved, or she'll want a bunch of money that I don't have. I roamed around on her site and she has another CD out, titled, "Here". A little blurb about the CD says you can hear about her life in Baltimore in these songs, like the guy who lived in her driveway. I thought that was funny, and so Baltimore, and I looked at the title of the song, which bears his name. And this, being Smalltimore... I know the guy.
I figured that was a pretty good icebreaker, so I took a chance and wrote to Niki, sent her the link to the new trailer, and a few lines about the project and how I'd love to use some of her stuff, and that we have this mutual friend. She very graciously picked up the phone and called me from California last night. We had a good chat and she is psyched for me, and definitely wants in on it! I am so happy about this, and it is just the impetus I needed to get me to be EXCITED about going back to editing after New Year's. There are only a few scenes in the rough cut that have the permanent music laid in, and those scenes are so much more powerful because of it. I can't WAIT to get back to the drawing board!
Showing posts with label scott. Show all posts
Showing posts with label scott. Show all posts
Wednesday, December 24, 2008
"Take Care of the Luxuries...
Friday, July 11, 2008
The Good, the Bad, and the Moronic
The Good: I am ecstatic to announce that Rebecca Clear Dean has signed on as the Production Manager for Charm City. Rebecca brings to the table a Theater Arts/Film degree from a university in New York known as Cornell. Heard of it? I think it is supposed to be a pretty decent school. Rebecca's decade of film production experience includes working with A & E on several documentaries, including biographies of Jack the Ripper and Richard Burton. Later she served as associate producer on Wall $treet Week With Louis Rukeyser at Maryland Public Television, which aired on PBS from 1970-2002.
I am also quite pleased to tell you that Ms. Jancy Lister will be the Catering Manager for the production. As if we needed another crazy redhead on the set! Between Jancy, Joyce Scott, and Michelle Farrell, all of their far-fetched (but true) Baltimore stories are going to make my little romantic comedy look like chump change.
More Good: I finished the tweaks, so we now have a shooting script. Which is fortunate, as we start rehearsals in 5 days and filming in three weeks!
Even More Good: I am meeting with several local artists on Monday who will be loaning their work to the production. More on that later...
The Bad: not much bad, really. Full steam ahead. The only Bad is really what people like Michelle, Sean, and Eric forgot to tell me about, and that is:
The Moronic: a.k.a., the Haters. These mostly come in the form of anonymous internet postings from people who live their little lives in front of a computer screen searching for things to belittle and begrudge. My filmmaker friends probably didn't mention them because I am sure they tuned them out long ago, which would be my advice to anyone as well. Funny enough, these people never follow up their remarkably insightful critique (***sarcasm alert***) with anything such as, "If you want to see something good, you can check out the project I am working on at www..."
No matter. This business is not for the thin-skinned, that is for sure. As an artist I know that I cannot grow and improve my work without constructive criticism. I welcome it from people whose opinions and work I respect. Collaboration is a big part of the process, and to me, a big part of the fun. But if you are someone who actually gets things done, there will always be jealous wannabes out there who will try to undermine you.
That doesn't mean it is always easy to hear the constructive criticism. But before I dismiss anyone's opinion, I ask myself two things: (1) Is this person talented and productive in their own right? and (2) Was their critique delivered with malicious intent and nothing more?
I am also quite pleased to tell you that Ms. Jancy Lister will be the Catering Manager for the production. As if we needed another crazy redhead on the set! Between Jancy, Joyce Scott, and Michelle Farrell, all of their far-fetched (but true) Baltimore stories are going to make my little romantic comedy look like chump change.
More Good: I finished the tweaks, so we now have a shooting script. Which is fortunate, as we start rehearsals in 5 days and filming in three weeks!
Even More Good: I am meeting with several local artists on Monday who will be loaning their work to the production. More on that later...
The Bad: not much bad, really. Full steam ahead. The only Bad is really what people like Michelle, Sean, and Eric forgot to tell me about, and that is:
The Moronic: a.k.a., the Haters. These mostly come in the form of anonymous internet postings from people who live their little lives in front of a computer screen searching for things to belittle and begrudge. My filmmaker friends probably didn't mention them because I am sure they tuned them out long ago, which would be my advice to anyone as well. Funny enough, these people never follow up their remarkably insightful critique (***sarcasm alert***) with anything such as, "If you want to see something good, you can check out the project I am working on at www..."
No matter. This business is not for the thin-skinned, that is for sure. As an artist I know that I cannot grow and improve my work without constructive criticism. I welcome it from people whose opinions and work I respect. Collaboration is a big part of the process, and to me, a big part of the fun. But if you are someone who actually gets things done, there will always be jealous wannabes out there who will try to undermine you.
That doesn't mean it is always easy to hear the constructive criticism. But before I dismiss anyone's opinion, I ask myself two things: (1) Is this person talented and productive in their own right? and (2) Was their critique delivered with malicious intent and nothing more?
Tuesday, June 24, 2008
Charm City, the Cast
I am very excited to announce the casting for the movie, "Charm City":
Cheryl Scungio as Gracie
Orlando Gonzalez as Tony
Kelly Coston as Melanie
Will Lurie as Andrew
Darik Bernard as Brad
Johnny Benson as Bentley
Phil Calvert as Thom
Kyle Holtgren as David
Phil Amico as Jack
Tiffany Ariany as Angela
featuring Tommy "T.T.Tucker" Davinti and the Bum Rush Band
special appearance by National Public Radio host Al Letson as himself
and local Baltimore legend and nationally recognized artist and performer Joyce J. Scott as Mrs. Talford.
I couldn't be more pleased to have rounded up this amazing ensemble. Can't wait to get out of pre-production and on the set! 37 days and counting...
Cheryl Scungio as Gracie
Orlando Gonzalez as Tony
Kelly Coston as Melanie
Will Lurie as Andrew
Darik Bernard as Brad
Johnny Benson as Bentley
Phil Calvert as Thom
Kyle Holtgren as David
Phil Amico as Jack
Tiffany Ariany as Angela
featuring Tommy "T.T.Tucker" Davinti and the Bum Rush Band
special appearance by National Public Radio host Al Letson as himself
and local Baltimore legend and nationally recognized artist and performer Joyce J. Scott as Mrs. Talford.
I couldn't be more pleased to have rounded up this amazing ensemble. Can't wait to get out of pre-production and on the set! 37 days and counting...
Labels:
alliance,
bum rush,
cast,
casting,
charm,
charm city,
joyce,
letson,
scott,
t.t. tucker
Subscribe to:
Posts (Atom)
